#Another word for track in shots series#
This also happens before the first summer trip, when the series shows Yukari's car in a beat-up state and heavily implies her traumatizing driving (showing Chiyo and the other passengers as white as ghosts immediately afterwards and having Chiyo suffer PTSD in other scenes afterwards in which she recounts some of what happened) while never showing just how bad it is.(Also, in the ADV dub, Tomo asked her directly if adult relationships were "all pervy and stuff".) Well, Sakaki was too embarrassed to face her the next morning, though she does seem to embarrass the most easily at such things.She's so hung-over she isn't even sure what she said (we have no idea either, but it must have been spicy). The other girls show up and bow to her and thanking her for the "enlightenment". The same music cuts again just as Chiyo gets to what was said, while we are shown a head shot of Kurosawa becoming more and more freaked out. Next morning, Chiyo approaches Kurosawa to ask for clarification about last night. When the girls bring up the subject of boys/men, she cuts in "let me tell you about men", at which point we cut to a series of head shots of all the girls, with steadily deepening blushes on their faces (except for Child Prodigy Chiyo-chan, who looks completely puzzled), interspersed with Relax-O-Vision shots of peaceful meadows and the like, with equally serene music playing in the background. "Responsible" teacher Kurosawa-sensei has been drinking pretty heavily (to keep Yukari-sensei out of the stuff). Azumanga Daioh pulled this off in one of the summer trip episodes.Compare Showing Off the Perilous Power Source, where the characters are the ones who can't have the direct experience, and Great Offscreen War, where a vast budget-busting world-changing war is only obliquely referred to as Backstory. See also Undisclosed Funds, Hiroshima as a Unit of Measure, Ultimate Evil, Noodle Incident, Informed Ability, Orphaned Punchline, Lost in Transmission, You Cannot Grasp the True Form, You Do NOT Want to Know, Head-Tiltingly Kinky, Offscreen Afterlife, Offscreen Moment of Awesome, Narrative Profanity Filter and Nothing Is Scarier. Naturally, almost always used with a Brown Note. This trope is Older Than Feudalism, dating back to The Iliad where Helen is never fully described, especially by the standards of the rest of the work which has long, detailed descriptions of just about everything. This can be anticlimactic if the actor's reaction is played especially well or if the source of the character's horror just doesn't impress the audience as much. Sometimes The Reveal actually happens later in the form of a flashback or other device. This trope is sometimes used in the horror genre as a character reacts with terror and/or at some unseen menace or horrific scene. This allows the audience to imagine exactly how good/bad it is, where an actual example might have fallen flat. When something inside a show is supposed to be breathtakingly good or astonishingly bad - such as a really moving poem or a really hideous person - a frequent strategy is to not show it at all, to instead give us only the characters' reactions.
0 kommentar(er)
